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A young man with burning eyes (that’s the way it is, sometimes similes flares in your head, later it softens).

Anyway, a young man with brown eyes, keeping dead birds in his freezer and later taking them out of their coverage in a club named Nightingale Cinema, no less.

While she has worked with earthenware as well as porcelain, her medium has always been the plate. The Royal College of Art MA graduate is based on a boat floating on the Thames, which helps her stay connected to nature.

At the tip of every photograph lies the materiality, the labor, the dead bird, the masculine body, the boyish body; And similarly there are the two brothers, the twins, one brother holding the other, a hug or a first grasping in front of the world; And when he spoke, I suddenly thought of a child, who must recreate a scene over and over again; The methods improves but the tongue is repeating the old saying “this is me and my brother”, pointing the truth, does things with words; or in Biton’s words “Dogan won life itself. The meticulous execution (each extra-fine brushstroke adding an important detail), the resulting life-like renditions and the consistent format (monochromatic black on white; identical one-size ceramic plates) adhere to the ethos of scientific study.

Susan’s ability to focus is well matched by her possession of a steady hand.

Someone could not woke someone up from its fainting, from its death; that’s almost indecent and yet I believe him; I believe this quest for beauty in all places that supposed to be covered with dirt.

“This is me and my brother”, he said to me simply when describing the relationship between the young man and the bird; two non-identical twins who rolled out to the farthest edges: man and bird, live and dead; and suddenly the layers I’ve counted faded into dust.

Yuval would probably say “Israeli goth” and he would be right and I would be wrong, for they are all migrating birds passing through Israel, dying here with all their glory.

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